![]() This can be done the usual way, which is to click on the measure number with the mouse. The Chords window allows you to toggle the part marker type for a measure during playback. Clicking again would set the bar so it would be back to having no part marker. Clicking again will set it to a “b” part marker. In general these substyles correspond to the “a” and “b” sections of a song.Ĭlicking once on the bar number that currently has no part marker will set the bar to “a” part marker. The part markers choose one of the two substyles available for BB Tracks arrangements. If you click directly on a bar number, the number will change into a Part Marker. Note: Pushes, Shots, Rests, Hold Chords can ONLY be entered in the Chords Window. “ C…” indicates a C chord that is a Held Chord. “ C.” indicates a C chord that is a Shot.Ī chord can be specified as a Held Chord by adding three periods after the chord.Į.g. “ C.” indicates a C chord that is a Rest.Ī chord can be specified as a Shot by adding two periods after the chord.Į.g. Rests, Shot, Held Chord, and Pushes are supported by the RealBand generation routines:Ī chord can be specified as a Rest by adding a period after the chord.Į.g. You can also click the mouse on a different beat group to move the input rectangle to a new location.įor a list of the chord spellings that are recognized by RealBand see the help topic Entering Chord Symbols. The Left Arrow and Right Arrow keys let you move the input rectangle to a different beat group without entering chords. When you’re in the middle of typing chord symbols, you can use the backspace key to correct a mistake. If you then hit you’ll see the C7 and G7 chords appear within the current beat group, and the input rectangle will automatically advance to the next beat group. For example if you type this: “C7,G7” (without the quotes) you’ll see the text you’re typing in the white rectangular panel on the toolbar. You can type two chords into the current beat group. The current beat group will have a rectangle drawn around it. ![]() If a song is in 4/4, then each measure will contain two beat groups. You can use the Delete key to delete a chord, or type a comma and press Enter.Įach measure is divided into Beat Groups, indicated by a highlight cell.In the example below, we would type Ab9,G9 to enter 2 chords at a time (on beat 3 and 4 of bar 2) Use a comma to enter 2 chords in a row.Use / for Slash Chords with alternate Roots such as C7/E (C7 with E bass).(# is the uppercase symbol of 3, so you can actually type F37 to get F#7 - RealBand will sort out the case, saving you the effort of using 3 to type the # symbol. ![]() Note that you should never have to use the Shift key, as RealBand will sort this out for you. For example, type c6 to get the C6 chord. ![]() If a bar contains chord symbols they will be displayed to the right of the bar number.Įnter the chords for your song by typing them in using standard chord symbols such as C, or Fm7, or Bb7, or Bb13#9/E. You’ll see the bars of the song displayed in rows. Band-in-a-Box users will feel right at home. This window opens with the button, the hot key combination Ctrl+3, or the menu command Window | Chords. To generate a new song arrangement you begin by typing the chords into the Chords window using standard chord symbols. This means that your BB Tracks can be assembled from any number of different styles to add variety and fine-tune the arrangement. RealBand also lets you generate selected sections of tracks and regenerate either complete tracks or selected parts as often as you want to – and with any style you want to use. When working with MIDI tracks, RealBand uses its Band-in-a-Box components to generate tracks in any of the Band-in-a-Box styles that you have installed on your computer. And for either type you have the option of recording and creating your own parts or using the musical intelligence of RealBand to create professional tracks for you. Chapter 6: BB Tracks and MIDI tracks OverviewĪs discussed elsewhere, any one of RealBand’s 48 tracks can be either a MIDI or audio track. ![]()
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